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Sightlines
Arts, culture, news & ideas
Sightlines
Arts, culture, news & ideas
Architecture & Design
Art
Public Art
Lit & Letters
Screens
Performance
Theater & Dance
Music
About
Who we are
Mission & ethics
Our donors
Search
Art
Modern meets Baroque in Lance Letscher collages at Stephen L. Clark Gallery
Erin Keever
At Women & Their Work, the bright, vivid Texas of Lindy Chambers
Courtney Thomas
In “Competing with Lightning,” Eamon Ore-Giron summons surreal scenes, gods, and gold
Courtney Thomas
In her Tito’s Prize exhibition, Tammie Rubin explores migration, escape, and faith
Courtney Thomas
SXSW film review: ‘Angel Applicant’ is truly a work of art appreciation
Charles Ealy
With ‘Girls Gotta Eat,’ Sarah Bork photographs drag queens shopping for groceries
Chale Nafus
At the Blanton, the exhibition ‘Day Jobs’ reveals stories of how artists work beyond their artwork
Erin Keever
Virginia Colwell’s “To Have and to Hold” critiques sentimental views of the American South
Courtney Thomas
I’m here too: Annie May Johnston’s ‘The Mother The Witch The Hysteric’
Dorothy Meiburg Weller
Blanton Museum of Art receives one of the largest private collections of Chicanx and Latinx art
Sightlines
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