Art

Public Art

Rehab El Sadek’s ‘Secret Place’ at the Elisabet Ney Museum

Courtney Thomas

Questioning Waller Creek: Heather Parrish at Flatbed Press

Jeanne Claire van Ryzin

Cezanne in Chicago

Taylor Bradley

Mexic-Arte Museum board members resign, citing no confidence in museum’s management

Jeanne Claire van Ryzin

The monthly Open Canopy event is back. Now, without the party crowd

Sightlines

Hazardous conditions for art and people at Mexic-Arte, say museum workers

Jeanne Claire van Ryzin

Yuliya Lanina: Drawing on violence in Ukraine

Rebecca Rossen

Mexic-Arte Museum’s “Chicano/a Art, Movimiento y Más en Austen, Tejas 1960s to 1980s” offers an important history lesson

Erin Keever

At the Wildflower Center, Armando Cortés’ ‘Estésen Cercas’

Vivie Behrens

The Line-up: Seven exhibitions to see in May

Sightlines

Beili Liu receives $200,000 Andrew Carnegie Fellowship

Sightlines

‘Because everyone else was getting it wrong.’ At the Menil, Meret Oppenheim’s ‘My Exhibition’

Taylor Bradley

A $2 million gift for UT students to design immersive art experiences in new lab space

Sightlines

Wendy Red Star’s brilliant celebration of the Apsáalooke (Crow) Nation

Jeanne Claire van Ryzin

Oliver Franklin, 1961-2022

Sightlines

Blanton curator Veronica Roberts to head Stanford’s art museum

Sightlines

Tammie Rubin wins $15,000 Tito’s Prize

Sightlines

The Line-up: Nine exhibitions to see in April

Sightlines

Zach Meisner: Untitled

Jeannie McKetta

Making an effort to see: W. Tucker at Big Medium

Jeanne Claire van Ryzin

Georgia O’Keeffe: Rewarding curiosity

Ann Daly

At All the Sudden art space, it’s process over product

Vivie Behrens

SXSW review: ‘The Art of Making It’ sheds light on the art world’s exclusivity

Jeanne Claire van Ryzin

‘Austin Does Austin’ at gallery-cum-garage Goodluckhavefun

Erin Keever

Women & Their Work picks eight artists for its next solo exhibition series

Sightlines

The Sightlines Questionnaire: Rigoberto Luna of Presa House Gallery

Sightlines

Between being and nothingness: Oscar Muñoz at the Blanton Museum of Art

Erin Keever

Painted nature: Valerie Fowler’s ‘Earth Shift’

Jeanne Claire van Ryzin

Pease Park to host ‘The Blue Trees’ installation

Sightlines

Where a Luna moth meets a bachelorette party: Virginia L. Montgomery in residence at The LINE Austin

Vivie Behrens

Sensing Marfa’s many topographies: ‘Kite Symphony’ by Roberto Carlos Lange and Kristi Sword

Kaila Schedeen

Blanton Museum’s ‘Assembly’ spotlights new acquisitions by Black artists

Jeanne Claire van Ryzin

For the Contemporary Austin’s executive director, extending the welcome is a top priority

Jeanne Claire van Ryzin