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May 26, 2022
Sightlines
Arts, Culture, News & Ideas
Architecture & Design
Art
Public Art
Lit & Letters
Screens
Performance
Theater & Dance
Music
About
Contact
Who we are
Mission & ethics
Our donors
Privacy
Donate
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Art
Public Art
Hazardous conditions for art and people at Mexic-Arte, say museum workers
Jeanne Claire van Ryzin
Yuliya Lanina: Drawing on violence in Ukraine
Rebecca Rossen
Mexic-Arte Museum’s “Chicano/a Art, Movimiento y Más en Austen, Tejas 1960s to 1980s” offers an important history lesson
Erin Keever
At the Wildflower Center, Armando Cortés’ ‘Estésen Cercas’
Vivie Behrens
The Line-up: Seven exhibitions to see in May
Sightlines
Beili Liu receives $200,000 Andrew Carnegie Fellowship
Sightlines
‘Because everyone else was getting it wrong.’ At the Menil, Meret Oppenheim’s ‘My Exhibition’
Taylor Bradley
A $2 million gift for UT students to design immersive art experiences in new lab space
Sightlines
Wendy Red Star’s brilliant celebration of the Apsáalooke (Crow) Nation
Jeanne Claire van Ryzin
Oliver Franklin, 1961-2022
Sightlines
Blanton curator Veronica Roberts to head Stanford’s art museum
Sightlines
Tammie Rubin wins $15,000 Tito’s Prize
Sightlines
The Line-up: Nine exhibitions to see in April
Sightlines
Zach Meisner: Untitled
Jeannie McKetta
Making an effort to see: W. Tucker at Big Medium
Jeanne Claire van Ryzin
Georgia O’Keeffe: Rewarding curiosity
Ann Daly
At All the Sudden art space, it’s process over product
Vivie Behrens
SXSW review: ‘The Art of Making It’ sheds light on the art world’s exclusivity
Jeanne Claire van Ryzin
‘Austin Does Austin’ at gallery-cum-garage Goodluckhavefun
Erin Keever
Women & Their Work picks eight artists for its next solo exhibition series
Sightlines
The Sightlines Questionnaire: Rigoberto Luna of Presa House Gallery
Sightlines
Between being and nothingness: Oscar Muñoz at the Blanton Museum of Art
Erin Keever
Painted nature: Valerie Fowler’s ‘Earth Shift’
Jeanne Claire van Ryzin
Pease Park to host ‘The Blue Trees’ installation
Sightlines
Where a Luna moth meets a bachelorette party: Virginia L. Montgomery in residence at The LINE Austin
Vivie Behrens
Sensing Marfa’s many topographies: ‘Kite Symphony’ by Roberto Carlos Lange and Kristi Sword
Kaila Schedeen
Blanton Museum’s ‘Assembly’ spotlights new acquisitions by Black artists
Jeanne Claire van Ryzin
For the Contemporary Austin’s executive director, extending the welcome is a top priority
Jeanne Claire van Ryzin
Under pressure: Bethany Johnson’s intimate sculptures conjure core samples from an Anthropocene age
Jeannie McKetta
Turrell Skyspace “The Color Inside” to re-open at UT
Sightlines
With ‘A Welcoming Place,’ Ariel René Jackson captures poetic narratives of Black and Brown Austinites
Jeanne Claire van Ryzin
Neuroplastic abstraction: Zoë Shulman’s ‘ketagons’
Erin Keever
Pollock-Krasner Foundation awards artist Beili Liu $50,000 Pollock Prize for Creativity
Sightlines
