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August 16, 2022
Sightlines
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In Adam Soto’s ‘Concerning Those Who Have Fallen Asleep,’ stories that walk through walls, like ghosts
Lit & Letters
Ellsworth Kelly’s ‘Austin’ to close for mold cleaning
Lubaina Himid wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize
The Latest
In Adam Soto’s ‘Concerning Those Who Have Fallen Asleep,’ stories that walk through walls, like ghosts
aGLIFF announces list of festival films
A remembrance: Joe W. Bratcher III (Dec. 16, 1957 – July 28, 2022)
Ellsworth Kelly’s ‘Austin’ to close for mold cleaning
Lubaina Himid wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize
Two Texas poets receive $50,000 Poet Laureate Fellowships
‘Banksyland’ capitalizes on Banksy’s anti-capitalist message
Dede Gardner and Stephen Merchant to be honored at Austin Film Festival
Arts listings & calendars
Art
‘Banksyland’ capitalizes on Banksy’s anti-capitalist message
Erin Keever
Ballroom Marfa names Daisy Nam as executive director
Sightlines
Plans to address crisis at Mexic-Arte Museum were in place but then dismissed, documents show
Jeanne Claire van Ryzin
Hugh Hayden skewers the American Dream
Taylor Bradley
Film
Film review: ‘Alex’s War’ looks at the career of InfoWars host
Film event: AFS will screen two documentaries about famed Texas writers
Architecture & Design
Ellsworth Kelly’s ‘Austin’ to close for mold cleaning
This year, nine light illustrations return Creek Show to the creek
Lit & Letters
In Adam Soto’s ‘Concerning Those Who Have Fallen Asleep,’ stories that walk through walls, like ghosts
A remembrance: Joe W. Bratcher III (Dec. 16, 1957 – July 28, 2022)
The Sightlines Questionnaire
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
The Sightlines Questionnaire: Rigoberto Luna of Presa House Gallery
The Line-up
The Line-up: Nine exhibitions to see you through the summer
The Line-up: A dozen museums shows in Texas to see this summer
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Newsline
Lubaina Himid wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize
Dede Gardner and Stephen Merchant to be honored at Austin Film Festival
Ballroom Marfa names Daisy Nam as executive director
Editor's picks
The female gaze is front and center in ‘Women Painting Women’
The 1853 Watson House is out of sight — and running out of time
The desire of a building, and a community
