Facebook
Instagram
Mail
Twitter
Architecture & Design
Art
Public Art
Lit & Letters
Screens
Performance
Theater & Dance
Music
About
Who we are
Mission & ethics
Our donors
Search
Sightlines
Arts, culture, news & ideas
Sightlines
Arts, culture, news & ideas
Architecture & Design
Art
Public Art
Lit & Letters
Screens
Performance
Theater & Dance
Music
About
Who we are
Mission & ethics
Our donors
Search
Art
The complicated legacy of Daniel Johnston’s art
Erin Keever
Call and Response: A Conversation with Jeffrey Gibson
Kaila Schedeen
Jenelle Esparza explores a complex layered history with cotton and family artifacts in a solo show at Women & Their Work
Courtney Thomas
McNay exhibition bridges two artists across generations: Benny Andrews and Deborah Roberts
Erin Keever
Under pressure: Bethany Johnson’s intimate sculptures conjure core samples from an Anthropocene age
Jeannie McKetta
Faithful: Tammie Rubin at Grayduck Gallery
Jeanne Claire van Ryzin
Performance
The de-choreographed body: Works by Deborah Hay
Jonelle Seitz
Theater is Scary. So is Death in Branden Jacobs-Jenkins’ “Everybody”
Daniel Tejera
How Graham Reynolds Built a Bridge Between Musical Genres
Joshua Figueroa
Andie Flores Makes Little Ugly Goblin Evil-Doers Beautiful
Erica Lies
Ariel René Jackson and Michael J. Love imagine a Black futurist family archive
Kaila Schedeen
KDH Dance created a socially distant dancework to be performed on the lake. Then the city shut it down
Jeanne Claire van Ryzin
Architecture & Design
Emma S. Barrientos Mexican American Cultural Center: The desire of a building, and a community
Penny Snyder
Common ground: The story of Austin’s newest, and only Black, historic district
Marla Akin
Edible cities: Landscape architect Phoebe Lickwar on post-pandemic public spaces and urban agriculture
Jeanne Claire van Ryzin
Film
Film review: ‘Turn Every Page’ explores the relationship of writer and editor
Charles Ealy
‘What We Leave Behind’ is a filmmaker’s tribute to her beloved abuelo
Chale Nafus
‘Shouting Down Midnight’ traces the resonance of Wendy Davis’s 2013 filibuster
Jeanne Claire van Ryzin
Lit & Letters
Waiting to hear that new sound: Roger Reeves’ ‘Best Barbarian’
Dorothy Meiburg Weller
The first social network? Actually, it was postcards
Jeanne Claire van Ryzin
Rude Mechs’ “Lipstick Traces” becomes a graphic novel
Lana Lesley
Purview | visual essays
Cindy Elizabeth: Capturing Black Celebration
Leon Alesi: The Proximity Series
Hope Mora: Pecos
The Sightlines Questionnaire
The Sightlines Questionnaire: Rigoberto Luna of Presa House Gallery
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
