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November 29, 2022
Sightlines
Arts, Culture, News & Ideas
Architecture & Design
Art
Public Art
Lit & Letters
Screens
Performance
Theater & Dance
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The potent and poetic metal abstractions of Melvin Edwards in ‘WIRE(D) and CHAIN(ED)’
Art
Jade Walker to lead Elisabet Ney Museum
Waiting to hear that new sound: Roger Reeves’ ‘Best Barbarian’
The Latest
The potent and poetic metal abstractions of Melvin Edwards in ‘WIRE(D) and CHAIN(ED)’
Jade Walker to lead Elisabet Ney Museum
Film review: ‘Bones and All’ finds the romance in cannibalism
Jenelle Esparza explores a complex layered history with cotton and family artifacts in a solo show at Women & Their Work
Waiting to hear that new sound: Roger Reeves’ ‘Best Barbarian’
J Muzacz and the art of community art
Indie bookstore Malvern Books to close
Art and activism converge in ‘Social Fabric’ at UT Visual Arts Center
Arts listings & calendars
Art
Jenelle Esparza explores a complex layered history with cotton and family artifacts in a solo show at Women & Their Work
Courtney Thomas
J Muzacz and the art of community art
Chale Nafus
Art and activism converge in ‘Social Fabric’ at UT Visual Arts Center
Catalina Chernavvsky Sequeira
Flipping through: ‘The Art of David Everett: Another World’
Caleb Bell
Film
Film review: Art-house hit ‘Aftersun’ opens after successful festival run
Film review: ‘What Remains’ tests the limits of Christian forgiveness
Architecture & Design
Typeface made me do it
Historic Haskell House now open for regular public hours
Lit & Letters
Waiting to hear that new sound: Roger Reeves’ ‘Best Barbarian’
Indie bookstore Malvern Books to close
The Sightlines Questionnaire
The Sightlines Questionnaire: Luis Purón, Rockport Center for the Arts
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
The Line-up
The Line-up: Ten exhibitions not to miss in November
Newsline
Jade Walker to lead Elisabet Ney Museum
Indie bookstore Malvern Books to close
Blanton Museum of Art names Kenyon Adams as Director of Public Programs
Editor's picks
McNay exhibition bridges two artists across generations: Benny Andrews and Deborah Roberts
Waiting to hear that new sound: Roger Reeves’ ‘Best Barbarian’
