Sample Category Title

Hazardous conditions for art and people at Mexic-Arte, say museum workers

Jeanne Claire van Ryzin

Yuliya Lanina: Drawing on violence in Ukraine

Rebecca Rossen

Mexic-Arte Museum’s “Chicano/a Art, Movimiento y Más en Austen, Tejas 1960s to 1980s” offers an important history lesson

Erin Keever

At the Wildflower Center, Armando Cortés’ ‘Estésen Cercas’

Vivie Behrens

The Line-up: Seven exhibitions to see in May

Sightlines

Beili Liu receives $200,000 Andrew Carnegie Fellowship

Sightlines

‘Because everyone else was getting it wrong.’ At the Menil, Meret Oppenheim’s ‘My Exhibition’

Taylor Bradley

A $2 million gift for UT students to design immersive art experiences in new lab space

Sightlines

Wendy Red Star’s brilliant celebration of the Apsáalooke (Crow) Nation

Jeanne Claire van Ryzin

Oliver Franklin, 1961-2022

Sightlines

Blanton curator Veronica Roberts to head Stanford’s art museum

Sightlines

Tammie Rubin wins $15,000 Tito’s Prize

Sightlines

The Line-up: Nine exhibitions to see in April

Sightlines

Zach Meisner: Untitled

Jeannie McKetta

Making an effort to see: W. Tucker at Big Medium

Jeanne Claire van Ryzin

Georgia O’Keeffe: Rewarding curiosity

Ann Daly

At All the Sudden art space, it’s process over product

Vivie Behrens

SXSW review: ‘The Art of Making It’ sheds light on the art world’s exclusivity

Jeanne Claire van Ryzin

‘Austin Does Austin’ at gallery-cum-garage Goodluckhavefun

Erin Keever

Women & Their Work picks eight artists for its next solo exhibition series

Sightlines

The Sightlines Questionnaire: Rigoberto Luna of Presa House Gallery

Sightlines

Between being and nothingness: Oscar Muñoz at the Blanton Museum of Art

Erin Keever

Painted nature: Valerie Fowler’s ‘Earth Shift’

Jeanne Claire van Ryzin

Pease Park to host ‘The Blue Trees’ installation

Sightlines

Where a Luna moth meets a bachelorette party: Virginia L. Montgomery in residence at The LINE Austin

Vivie Behrens

Sensing Marfa’s many topographies: ‘Kite Symphony’ by Roberto Carlos Lange and Kristi Sword

Kaila Schedeen

Blanton Museum’s ‘Assembly’ spotlights new acquisitions by Black artists

Jeanne Claire van Ryzin

For the Contemporary Austin’s executive director, extending the welcome is a top priority

Jeanne Claire van Ryzin

Under pressure: Bethany Johnson’s intimate sculptures conjure core samples from an Anthropocene age

Jeannie McKetta

Turrell Skyspace “The Color Inside” to re-open at UT

Sightlines

With ‘A Welcoming Place,’ Ariel René Jackson captures poetic narratives of Black and Brown Austinites

Jeanne Claire van Ryzin

Neuroplastic abstraction: Zoë Shulman’s ‘ketagons’

Erin Keever

Pollock-Krasner Foundation awards artist Beili Liu $50,000 Pollock Prize for Creativity

Sightlines

Sample Category Title

Hazardous conditions for art and people at Mexic-Arte, say museum workers

Yuliya Lanina: Drawing on violence in Ukraine

Mexic-Arte Museum’s “Chicano/a Art, Movimiento y Más en Austen, Tejas 1960s to 1980s” offers an important history lesson

At the Wildflower Center, Armando Cortés’ ‘Estésen Cercas’

The Line-up: Seven exhibitions to see in May

Beili Liu receives $200,000 Andrew Carnegie Fellowship

‘Because everyone else was getting it wrong.’ At the Menil, Meret Oppenheim’s ‘My Exhibition’

A $2 million gift for UT students to design immersive art experiences in new lab space

Wendy Red Star’s brilliant celebration of the Apsáalooke (Crow) Nation

Oliver Franklin, 1961-2022

Blanton curator Veronica Roberts to head Stanford’s art museum

Tammie Rubin wins $15,000 Tito’s Prize

The Line-up: Nine exhibitions to see in April

Zach Meisner: Untitled

Making an effort to see: W. Tucker at Big Medium

Georgia O’Keeffe: Rewarding curiosity

At All the Sudden art space, it’s process over product

SXSW review: ‘The Art of Making It’ sheds light on the art world’s exclusivity

‘Austin Does Austin’ at gallery-cum-garage Goodluckhavefun

Women & Their Work picks eight artists for its next solo exhibition series

The Sightlines Questionnaire: Rigoberto Luna of Presa House Gallery

Between being and nothingness: Oscar Muñoz at the Blanton Museum of Art

Painted nature: Valerie Fowler’s ‘Earth Shift’

Pease Park to host ‘The Blue Trees’ installation

Where a Luna moth meets a bachelorette party: Virginia L. Montgomery in residence at The LINE Austin

Sensing Marfa’s many topographies: ‘Kite Symphony’ by Roberto Carlos Lange and Kristi Sword

Blanton Museum’s ‘Assembly’ spotlights new acquisitions by Black artists

For the Contemporary Austin’s executive director, extending the welcome is a top priority

Under pressure: Bethany Johnson’s intimate sculptures conjure core samples from an Anthropocene age

Turrell Skyspace “The Color Inside” to re-open at UT

With ‘A Welcoming Place,’ Ariel René Jackson captures poetic narratives of Black and Brown Austinites

Neuroplastic abstraction: Zoë Shulman’s ‘ketagons’

Pollock-Krasner Foundation awards artist Beili Liu $50,000 Pollock Prize for Creativity

Film review: Two new docs take on the legacy or New...

Film review: ‘Downton Abbey: A New Era’ will probably please fans