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Screen shot of Dickie Beau's
Theater & Dance

Review: In its virtual version, the Fusebox Festival bodes well for the future of online theatre and art

Yasmin Zacaria Mikhaiel -
0
“Turning Tide,” 2019, acrylic watercolor and ink on canvas, 66” x 80”
Art

Getting Prescient: Elizabeth Schwaiger’s Paintings Suggest Disaster on the Heels of Societal Indulgence

Erin Keever -
0
Theater & Dance

At UT New Theatre, ‘A Fistful of Trespassing’ is a Shipwrecked Comedy En Route to Answers

Yasmin Zacaria Mikhaiel -
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Nicole Eisenman,
Art

Figuratively Speaking: Nicole Eisenman’s ‘Sturm und Drang’ at The Contemporary Austin

Barbara Purcell -
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View ofEd Ruscha: Drum Skinsat the Blanton Museum of Art, The University of Texas at Austin, January 12, 2020–July 12, 2020
Art

Not Never: Ed Ruscha’s Drum Skins

Annelyse Gelman -
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Carmen Argote: Me At Market, installation view, Visual Arts Center, University of Texas at Austin, January 24 –March 6, 2020. Photo: Sandy Carson.
Art

Carmen Argote and Lisa Lapinski have striking, impressive solo exhibitions at UT Visual Arts Center

Thao Votang -
0
Liz Beckham as June and Shannon Grounds as Alice in Shrewd Productions'
Theater & Dance

‘Alabaster’ Navigates the Hard and Soft Aches of Love and Grief

Yasmin Zacaria Mikhaiel -
0
Juan Pablo González, Still from Las Nubes, 2017. HD video, color, sound. 20:40 min. Courtesy of the artist.
Art

The Memory Exercises of Juan Pablo González

Chale Nafus -
0
“The Pleasure of Making” makes Viewing a Pleasure
Art

“The Pleasure of Making” makes Viewing a Pleasure

Erin Keever -
0
Still from the video
Music

The Purity of Play in Yevgeniy Sharlat’s “Spare the Rod!”

Joshua Figueroa -
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