Sorry, Austin. Ai Wei Wei’s “Forever Bicycles” is not forever

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Sorry, Austin. But Ai Wei Wei’s “Forever Bicycles” is not a forever part of the city.

For two years, the monumental, playful and dizzying sculpture comprised of more than 1,200 “Forever” brand Chinese bicycles has been delighting passers-by along the Butler Hike-and-Bike Trail at Lady Bird Lake at the Waller Creek Delta.

But the sculpture’s installation was always temporary and now, the last day to enjoy “Forever Bicycles” is May 15. Its presentation has been a collaboration between the Contemporary Austin and the Waller Creek Conservancy.

On May 11, from 11 a.m. to 2 p.m., you can join Waller Creek Conservancy and KMFA Classical 89.5 for the free “Concert on the Creek,” a series of performances and workshops led by Austin musician and artist, Steve Parker. In the midst of the music, you can explore the music-making properties of unusual combinations of sound-makers including bicycles.

Forever brand (Yongjiu) mass-produced bicycles flooded the streets of China during the Ai’s childhood yet remained financially out of reach for many Chinese. The artist has created many iterations of “Forever Bicycles” in many different places, each version site-specific to its location in its number of bicycles, positioning and formation.

While “Forever Bicycles” may be leaving town, you can forever enjoy Ai’s “Iron Tree Trunk,” at the Contemporary’s Marcus Sculpture Park at Laguna Gloria. The museum acquired the cast iron sculpture last year.


Jeanne Claire van Ryzin
Jeanne Claire van Ryzin
Jeanne Claire van Ryzin is an arts and culture journalist who has covered visual art, performance, film, literature, architecture, and just about any combination thereof. She was the staff arts critic for the Austin American-Statesman for 17 years. Her commendations include the First Place Arts & Culture Criticism Award from the Society for Features Journalism. Additionally, Jeanne Claire has been awarded professional fellowships at USC’s Western Knight Center for Specialized Journalism and NEA/Columbia University Arts Journalism Institute. In 2022, she was awarded the Rabkin Prize in visual art journalism. For two years, she taught arts journalism at the University of Texas College of Fine Arts. Her writing has appeared in the New York Times, Architecture magazine, Dwell, the Review of Contemporary Fiction, Art Papers, and ICON design magazine, among other publications.

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