Mid-century Lakeside Gazebo in downtown Austin added to the National Register of Historic Places

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With its distinctive mid-century Googie-style roof, the Fannie Davis Gazebo has been added to the National Register of Historic Places.

The structure is under the stewardship of the city’s Austin Parks and Recreation Department (PARD) system, which announced the gazebo’s new status today.

“The gazebo is one of Austin’s modern architectural gems, hidden in plain sight,” said Gregory W. Smith, National Register Coordinator with the Texas Historical Commission.

When it was finished in 1969, the gazebo was the first public structure built in the effort to beautify the south shore of what was then known as Town Lake. The lake was a relatively new feature in downtown Austin. It had only just been come into being thanks to the construction of Longhorn Dam in 1960, and its shoreline lacked any public amenities or features.

In 1966, inspired by Lady Bird Johnson, a national leader in environmental beautification and later the honorary co-chair of the Town Lake Beautification Committee, the Austin Chapter of the National Association of Women in Construction (NAWIC), began planning and raising money for the gazebo. Among the NAWIC members was Loretta Nill, whose husband, architect J. Sterry Nill, designed the gazebo.

It cost $6,000 to build though it was only completed thanks to thousands more in donated building materials and labor.

The gazebo in 2019.
The Fannie Davis Gazebo in 2019 on Lady Bird Lake in Austin. Photo: Wikimedia Commons

In 1984, the gazebo was named for Fannie Davis, a founding member of the Austin chapter of NAWIC.

Design-wise, the gazebo remains remarkably unchanged, though it has received renovation work over the years. On a spit of land between the lake and a man-made pond, the gazebo has a distinctive hyperbolic paraboloid roof. According to several reports, Nills said it was inspired an inverted morning glory.

The futuristic, space-age mid-century architectural style known as Googie is most recognized by upswept roofs with curvaceous, geometric shapes. Googie was popular for roadside commercial architecture — gas stations, diners, motels — particularly in California.


Jeanne Claire van Ryzin
Jeanne Claire van Ryzin
Jeanne Claire van Ryzin is an arts and culture journalist who has covered visual art, performance, film, literature, architecture, and just about any combination thereof. She was the staff arts critic for the Austin American-Statesman for 17 years. Her commendations include the First Place Arts & Culture Criticism Award from the Society for Features Journalism. Additionally, Jeanne Claire has been awarded professional fellowships at USC’s Western Knight Center for Specialized Journalism and NEA/Columbia University Arts Journalism Institute. In 2022, she was awarded the Rabkin Prize in visual art journalism. For two years, she taught arts journalism at the University of Texas College of Fine Arts. Her writing has appeared in the New York Times, Architecture magazine, Dwell, the Review of Contemporary Fiction, Art Papers, and ICON design magazine, among other publications.

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