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Shed Shows opens ‘Distant Sirens’
Art
Carver Museum names three to Small Black Museum Residency Project
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
The Latest
From UT Press, a visual history of the Lone Star State in lithographs
Modern meets Baroque in Lance Letscher collages at Stephen L. Clark Gallery
Free concert celebrates new songs about the history of the Equal Rights Amendment
Rude Mechs’ “Contranyms” responds to political division with language games
At Women & Their Work, the bright, vivid Texas of Lindy Chambers
Preservation Austin homes tour is city-wide
In “Competing with Lightning,” Eamon Ore-Giron summons surreal scenes, gods, and gold
Blanton names Claudia Zapata as curator of Latino art
The Line-up
Arts listings & calendars
Art
At Women & Their Work, the bright, vivid Texas of Lindy Chambers
Courtney Thomas
In “Competing with Lightning,” Eamon Ore-Giron summons surreal scenes, gods, and gold
Courtney Thomas
Blanton names Claudia Zapata as curator of Latino art
Sightlines
Inaugural ‘Why Black Museums?’ program to examine contributions of Black museums
Sightlines
Film
SXSW film review: ‘Angel Applicant’ is truly a work of art appreciation
SXSW film review: ‘Flamin’ Hot’ tells how an underdog Latino made it to the top
Architecture & Design
Preservation Austin homes tour is city-wide
Long Center to add 3D-printed amphitheater to its grounds
Lit & Letters
From UT Press, a visual history of the Lone Star State in lithographs
Flipping through: ‘Last Picture’ by Jeff Ferrell
The Sightlines Questionnaire
The Sightlines Questionnaire: Luis Purón, Rockport Center for the Arts
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
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Newsline
Blanton Museum opens new Latino art galleries
Blanton Museum to unveil two large site-specific, permanent artworks
Fusebox announces 2023 festival line-up — and re-introduces paid ticketing
Editor's picks
The 1853 Watson House is out of sight — and running out of time
‘Because everyone else was getting it wrong.’ At the Menil, Meret Oppenheim’s ‘My Exhibition’
Georgia O’Keeffe: Rewarding curiosity
Mexic-Arte Museum board members resign, citing no confidence in museum’s management
