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Shed Shows opens ‘Distant Sirens’
Art
Carver Museum names three to Small Black Museum Residency Project
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
The Latest
Theatre review: The spark doesn’t quite catch in Filigree’s ‘Fire in Dreamland’
Theatre review: ‘In the Beginning’ imagines a playful, freeing, alternate Genesis
The de-choreographed body: Works by Deborah Hay
Big Medium to leave Canopy arts complex
With ‘BOUFF!’ B. Shawn Cox brings high times, high hair to Davis Gallery
Opera review: The horror and humor in Austin Opera’s ‘Sweeney Todd’
The lines themselves speak: Candace Hicks’ sculptural texts
Inaugural ‘Unwound Sound’ concert to benefit SIMS Foundation
The Line-up
The Line-up: Nine exhibitions to see you through the summer
The Line-up: A dozen museum shows in Texas to see this summer
Arts listings & calendars
Art
The lines themselves speak: Candace Hicks’ sculptural texts
Dorothy Meiburg Weller
Meow Wolf opens its first Texas location this summer
Caleb Bell
At Women & Their Work, Jade Walker’s ‘Wayfinding’ finds tension weaving together people and place
Courtney Thomas
Warhol Foundation grants Contemporary Austin, Houston’s Project Row Houses each $100,000
Sightlines
Film
‘Dungeons and Dragons’ to kick off SXSW Film and TV
A look back at the year in movies
Architecture & Design
With renovation complete, the O. Henry Museum re-opens
Preservation Texas places historic Austin’s Watson House on Most Endangered Places list
Lit & Letters
Book review: Elizabeth Farfán-Santos’ ‘Undocumented Motherhood’ honors stories of maternal sacrifice against the backdrop of the US-Mexico border
Flipping through: ‘Arte del Pueblo: The Outdoor Public Art of San Antonio’
The Sightlines Questionnaire
The Sightlines Questionnaire: Luis Purón, Rockport Center for the Arts
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
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Newsline
Big Medium to leave Canopy arts complex
Meow Wolf opens its first Texas location this summer
Warhol Foundation grants Contemporary Austin, Houston’s Project Row Houses each $100,000
Editor's picks
The 1853 Watson House is out of sight — and running out of time
‘Because everyone else was getting it wrong.’ At the Menil, Meret Oppenheim’s ‘My Exhibition’
Georgia O’Keeffe: Rewarding curiosity
Mexic-Arte Museum board members resign, citing no confidence in museum’s management
