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Shed Shows opens ‘Distant Sirens’
Art
Carver Museum names three to Small Black Museum Residency Project
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
The Latest
Modern meets Baroque in Lance Letscher collages at Stephen L. Clark Gallery
Rude Mechs’ “Contranyms” responds to political division with language games
At Women & Their Work, the bright, vivid Texas of Lindy Chambers
In “Competing with Lightning,” Eamon Ore-Giron summons surreal scenes, gods, and gold
Blanton names Claudia Zapata as curator of Latino art
From choreographer Allison Orr comes a new book ‘Dance Works: Stories of Creative Collaboration’
In her Tito’s Prize exhibition, Tammie Rubin explores migration, escape, and faith
SXSW film review: ‘Angel Applicant’ is truly a work of art appreciation
The Line-up
Arts listings & calendars
Art
In “Competing with Lightning,” Eamon Ore-Giron summons surreal scenes, gods, and gold
Courtney Thomas
Blanton names Claudia Zapata as curator of Latino art
Sightlines
In her Tito’s Prize exhibition, Tammie Rubin explores migration, escape, and faith
Courtney Thomas
SXSW film review: ‘Angel Applicant’ is truly a work of art appreciation
Charles Ealy
Film
SXSW film review: ‘Flamin’ Hot’ tells how an underdog Latino made it to the top
SXSW film review: ‘Who I Am Not” explores what it means to be neither male nor female
Architecture & Design
Long Center to add 3D-printed amphitheater to its grounds
City of Austin announces more than $2 million in grant funds to preserve historic places
Lit & Letters
Flipping through: ‘Last Picture’ by Jeff Ferrell
Book review: ‘A New Race of Men From Heaven’
The Sightlines Questionnaire
The Sightlines Questionnaire: Luis Purón, Rockport Center for the Arts
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
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Newsline
Fusebox announces 2023 festival line-up — and re-introduces paid ticketing
Long Center to add 3D-printed amphitheater to its grounds
Texas Performing Arts and Fusebox announce new partnership
Editor's picks
The 1853 Watson House is out of sight — and running out of time
‘Because everyone else was getting it wrong.’ At the Menil, Meret Oppenheim’s ‘My Exhibition’
Georgia O’Keeffe: Rewarding curiosity
Mexic-Arte Museum board members resign, citing no confidence in museum’s management
