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Shed Shows opens ‘Distant Sirens’
Art
Carver Museum names three to Small Black Museum Residency Project
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
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The Latest
Modern meets Baroque in Lance Letscher collages at Stephen L. Clark Gallery
Rude Mechs’ “Contranyms” responds to political division with language games
At Women & Their Work, the bright, vivid Texas of Lindy Chambers
In “Competing with Lightning,” Eamon Ore-Giron summons surreal scenes, gods, and gold
From choreographer Allison Orr comes a new book ‘Dance Works: Stories of Creative Collaboration’
In her Tito’s Prize exhibition, Tammie Rubin explores migration, escape, and faith
SXSW film review: ‘Angel Applicant’ is truly a work of art appreciation
Theatre Review: R. Eric Thomas’ ‘Nightbird’ asks what should replace Confederate monuments
The Line-up
Arts listings & calendars
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Art
In “Competing with Lightning,” Eamon Ore-Giron summons surreal scenes, gods, and gold
Courtney Thomas
In her Tito’s Prize exhibition, Tammie Rubin explores migration, escape, and faith
Courtney Thomas
SXSW film review: ‘Angel Applicant’ is truly a work of art appreciation
Charles Ealy
With ‘Girls Gotta Eat,’ Sarah Bork photographs drag queens shopping for groceries
Chale Nafus
Film
SXSW film review: ‘Who I Am Not” explores what it means to be neither male nor female
Film review: ‘Turn Every Page’ explores the relationship of writer and editor
Architecture & Design
Long Center to add 3D-printed amphitheater to its grounds
City of Austin announces more than $2 million in grant funds to preserve historic places
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Lit & Letters
Book review: ‘A New Race of Men From Heaven’
Flipping through: ‘Duck Walk: A Birder’s Improbable Path to Hunting as Conservation’
The Sightlines Questionnaire
The Sightlines Questionnaire: Luis Purón, Rockport Center for the Arts
The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center
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Newsline
Long Center to add 3D-printed amphitheater to its grounds
Texas Performing Arts and Fusebox announce new partnership
Blanton Museum of Art receives one of the largest private collections of Chicanx and Latinx art
Editor's picks
The 1853 Watson House is out of sight — and running out of time
‘Because everyone else was getting it wrong.’ At the Menil, Meret Oppenheim’s ‘My Exhibition’
Georgia O’Keeffe: Rewarding curiosity
Mexic-Arte Museum board members resign, citing no confidence in museum’s management