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Sightlines
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Sightlines
Arts, culture, news & ideas
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Screens
SXSW review: ‘Comedy Punks’ looks at the Canadian Kids in the Hall who made a splash
Charles Ealy
SXSW review: Tanya Tucker makes a glorious comeback — and it’s on film
Charles Ealy
SXSW review: ‘Sheryl’ looks at the highs and lows of a rock star
Charles Ealy
SXSW review: ‘Sell/Buy/Date’ offers a humorous trip through the sex industry
Charles Ealy
‘Shouting Down Midnight’ traces the resonance of Wendy Davis’s 2013 filibuster
Jeanne Claire van Ryzin
‘What We Leave Behind’ is a filmmaker’s tribute to her beloved abuelo
Chale Nafus
Sundance 2022: ‘Descendant’ documentary tells a story of a great injustice
Charles Ealy
Sundance 2022: Three new movies explore what happens when women won’t ‘behave’
Charles Ealy
Sundance 2022: ‘Emergency’ and ‘892’ pack a powerful punch
Charles Ealy
Film review: ‘Licorice Pizza’ stars weave a charming, riotous tale of young love
Charles Ealy
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