Art

Public Art

Ellsworth Kelly’s ‘Austin’ to close for mold cleaning

Sightlines

Lubaina Himid wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize

Sightlines

‘Banksyland’ capitalizes on Banksy’s anti-capitalist message

Erin Keever

Ballroom Marfa names Daisy Nam as executive director

Sightlines

Plans to address crisis at Mexic-Arte Museum were in place but then dismissed, documents show

Jeanne Claire van Ryzin

Hugh Hayden skewers the American Dream

Taylor Bradley

This year, nine light illustrations return Creek Show to the creek

Sightlines

The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center

Jeanne Claire van Ryzin

Shed Shows opens ‘Distant Sirens’

Vivie Behrens

Carver Museum names three to Small Black Museum Residency Project

Sightlines

Ransom Center acquires Paul and Virginia Fontaine collection

Sightlines

The Line-up: Nine exhibitions to see you through the summer

Sightlines

Steef Crombach’s ‘One Bad Monkey’

Courtney Thomas

Studio visit: Alexandre Pépin

Jeannie McKetta

Adventures in sound art and installation: Tarek Atoui’s ‘Whispered Pulses’ and Kate Newby’s ‘Feel Noise’

Erin Keever

Elisabet Ney Museum to embark on $3.4 million renovation

Jeanne Claire van Ryzin

The female gaze is front and center in ‘Women Painting Women’

Courtney Thomas

Rehab El Sadek’s ‘Secret Place’ at the Elisabet Ney Museum

Courtney Thomas

Questioning Waller Creek: Heather Parrish at Flatbed Press

Jeanne Claire van Ryzin

Cezanne in Chicago

Taylor Bradley

Mexic-Arte Museum board members resign, citing no confidence in museum’s management

Jeanne Claire van Ryzin

The monthly Open Canopy event is back. Now, without the party crowd

Sightlines

Hazardous conditions for art and people at Mexic-Arte, say museum workers

Jeanne Claire van Ryzin

Yuliya Lanina: Drawing on violence in Ukraine

Rebecca Rossen

Mexic-Arte Museum’s “Chicano/a Art, Movimiento y Más en Austen, Tejas 1960s to 1980s” offers an important history lesson

Erin Keever

At the Wildflower Center, Armando Cortés’ ‘Estésen Cercas’

Vivie Behrens

The Line-up: Seven exhibitions to see in May

Sightlines

Beili Liu receives $200,000 Andrew Carnegie Fellowship

Sightlines

‘Because everyone else was getting it wrong.’ At the Menil, Meret Oppenheim’s ‘My Exhibition’

Taylor Bradley

A $2 million gift for UT students to design immersive art experiences in new lab space

Sightlines

Wendy Red Star’s brilliant celebration of the Apsáalooke (Crow) Nation

Jeanne Claire van Ryzin

Oliver Franklin, 1961-2022

Sightlines

Blanton curator Veronica Roberts to head Stanford’s art museum

Sightlines

Art

Ellsworth Kelly’s ‘Austin’ to close for mold cleaning

Lubaina Himid wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize

‘Banksyland’ capitalizes on Banksy’s anti-capitalist message

Ballroom Marfa names Daisy Nam as executive director

Plans to address crisis at Mexic-Arte Museum were in place but then dismissed, documents show

Hugh Hayden skewers the American Dream

This year, nine light illustrations return Creek Show to the creek

The Sightlines Questionnaire: Patrick Kelly, director and curator of the Old Jail Art Center

Shed Shows opens ‘Distant Sirens’

Carver Museum names three to Small Black Museum Residency Project

Ransom Center acquires Paul and Virginia Fontaine collection

The Line-up: Nine exhibitions to see you through the summer

Steef Crombach’s ‘One Bad Monkey’

Studio visit: Alexandre Pépin

Adventures in sound art and installation: Tarek Atoui’s ‘Whispered Pulses’ and Kate Newby’s ‘Feel Noise’

Elisabet Ney Museum to embark on $3.4 million renovation

The female gaze is front and center in ‘Women Painting Women’

Rehab El Sadek’s ‘Secret Place’ at the Elisabet Ney Museum

Questioning Waller Creek: Heather Parrish at Flatbed Press

Cezanne in Chicago

Mexic-Arte Museum board members resign, citing no confidence in museum’s management

The monthly Open Canopy event is back. Now, without the party crowd

Hazardous conditions for art and people at Mexic-Arte, say museum workers

Yuliya Lanina: Drawing on violence in Ukraine

Mexic-Arte Museum’s “Chicano/a Art, Movimiento y Más en Austen, Tejas 1960s to 1980s” offers an important history lesson

At the Wildflower Center, Armando Cortés’ ‘Estésen Cercas’

The Line-up: Seven exhibitions to see in May

Beili Liu receives $200,000 Andrew Carnegie Fellowship

‘Because everyone else was getting it wrong.’ At the Menil, Meret Oppenheim’s ‘My Exhibition’

A $2 million gift for UT students to design immersive art experiences in new lab space

Wendy Red Star’s brilliant celebration of the Apsáalooke (Crow) Nation

Oliver Franklin, 1961-2022

Blanton curator Veronica Roberts to head Stanford’s art museum

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