Betelhem Makonnen wins $15,000 Tito’s Prize

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Betelhem Makonnen is the winner of the 2019 Tito’s Prize, a $15,000 award to an Austin visual artist, officials with Big Medium, the nonprofit organization that hosts the award, announced today.

Funded by Tito’s Handmade Vodka, the Austin-based liquor company, the prize also includes a solo exhibition at Big Medium Gallery. Makonnen’s show will held March 6 to April 4, 2020.

Working with a variety of mediums that include video, photography, and installations,  Makonnen artistically wrestles with questions on perception, presence, and place, along with the diasporic experience and identity.

A native of Ethiopia, Makonnen (b. 1972), received an MFA (2019) from the School of the Art Institute of Chicago as a New Artists Society Merit Scholar, and a B.A (1995), History and Literature of the African Diaspora from University of Texas in Austin. She has also done graduate coursework in painting, time-based media, and modern and contemporary art History at the School of Visual Arts of Parque Lage in Rio de Janeiro, Brazil.

Makonnen is also a curator at Fusebox Festival, an annual art and contemporary performance arts festival, and co-editor of its online arts periodical Written & Spoken.

Along with Adrian Aguilera and Tammie Rubin, Makonnen is also a co-founder of Black Mountain Project, an Austin-based contemporary arts collaborative.

Thee Tito’s Prize was created to provide an Austin artist the means to take a new step in their career.

Related read: Trying to get present: Black Mountain Project’s constant escape

For Makonnen that means having the financial assistance to maintain a working studio in Austin’s increasingly unaffordable real estate market.

“I am immensely grateful to have been awarded the 2019 Tito’s Prize,” Makonnen said. “The award will be a big help towards enabling me to effectively sustain and build on my practice by providing the financial security for my work studio (my rent has gone up twice and I have yet to finish a new two year lease), and the research and material needs of my practice. Ultimately, this opportunity will allow me to increase the focus, time dedication, and professional development that I am committed to.”

Makonnen was selected by a curatorial panel that includes Florencia Bazzano-Nelson, Assistant Curator, Latin American Art at the Blanton Museum of Art; Annette Lawrence, Artist, and Professor of Studio Art at the University of North Texas; and Rigoberto Luna, Director and Curator at Presa House Gallery in San Antonio.


Jeanne Claire van Ryzin
Jeanne Claire van Ryzin
Jeanne Claire van Ryzin is an arts and culture journalist who has covered visual art, performance, film, literature, architecture, and just about any combination thereof. She was the staff arts critic for the Austin American-Statesman for 17 years. Her commendations include the First Place Arts & Culture Criticism Award from the Society for Features Journalism. Additionally, Jeanne Claire has been awarded professional fellowships at USC’s Western Knight Center for Specialized Journalism and NEA/Columbia University Arts Journalism Institute. In 2022, she was awarded the Rabkin Prize in visual art journalism. For two years, she taught arts journalism at the University of Texas College of Fine Arts. Her writing has appeared in the New York Times, Architecture magazine, Dwell, the Review of Contemporary Fiction, Art Papers, and ICON design magazine, among other publications.

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