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Austin, Texas
February 21, 2019

Gentrification, systematic inequities topics of discussion at “Placemaking & Displacement” panel

At a spirited and at times charged public panel discussion, five Austin artists and cultural...

Extreme facilitator: Flatbed Press’ Katherine Brimberry

Since 2014 PrintAustin has filled Austin art galleries every January with all things fine art...

In “Quilting the World’s Conscience,” human rights is interpreted in patchwork and piecing

Texas Folklife is hosting a touring exhibition, "Visioning Human Rights in the New Millennium: Quilting...

UT’s Landmarks appoints deputy director

Landmarks, the University of Texas' public art program, has appointed Kathleen Brady Stimpert as deputy...

Gallery Shoal Creek to change business model, close brick-and-mortar gallery

Austin's longest continually operating art gallery will close its brick-and-mortar operations. Gallery Shoal Creek, which opened...

Next splash: Forklift Danceworks heads to Givens Pools

After staging community dance performances at two East Austin pools, Forklift Danceworks has announced that...

NEA awards Texas arts groups $1.27 million in latest round of grants

In the first of two fiscal year 2019 grant announcements, the National Endowment of the...

Gothic beauty: Alyssa Taylor Wendt’s “HAINT”

Haint blue graces the front porch ceiling of many a home in the Southern United...

Moody Foundation gives $20 million to Blanton Museum of Art

In one of the largest single donations Austin arts community, the Moody Foundation has donated...

Arts listings and venue guides

Ephemeral moments: Yoonmi Nam and Amze Emmons at Grayduck Gallery

The works on paper by Yoonmi Nam and Amze Emmons, on view at Grayduck Gallery...

Gabriel Jason Dean’s new play “Heartland” demands a reckoning — and models healing

Where do Hemingway, Anne Frank, and Rumi meet to chat geopolitics over chai? "Heartland" continues through...

Cacophony on Canvas: Rebecca Morris Strives for Discord at the Blaffer

In 2006, Rebecca Morris caused a stir with “Manifesto: For Abstractionists and Friends of the...

Mike’s “Fully Curated Timeshare” — Michael Smith at Museo Jumex

The Museo Jumex is plopped in the center of Mexico City’s Plaza Carso, a sleek...

A Socratic Lullaby: Golden Hornet’s “The Sound of Science”

Golden Hornet’s newest project is equal parts hopeful, transcendental, and depressing — which is everything...

Natural/Synthetic/Human: Tammie Rubin’s “Everything You Ever”

A familiarity and fondness for sculptor Tammie Rubin’s portfolio, and a sharp eye, allows you...

Extreme facilitator: Flatbed Press’ Katherine Brimberry

Since 2014 PrintAustin has filled Austin art galleries every January with all things fine art...

Gothic beauty: Alyssa Taylor Wendt’s “HAINT”

Haint blue graces the front porch ceiling of many a home in the Southern United...

Fairly Reactionary: Hyperreal Film Club’s Video Zines

A husky construction worker pours a foaming liter of Diet Coke all over his hairy...

Rachel Winston: Archives as Activism

Rachel Winston is an Austin-based activist, curator, and archivist. She graduated with a BA in...

Austin School is Bestowed With A New Mural

In the cafeteria of Cunningham Elementary School in South Austin students used to be greeted...

Always Changing: Fernando A. Flores On Writing Fiction That’s Totally Fictive

Fernando A. Flores first book, the short story collection "Death to the Bullshit Artists of...